If storytelling is so powerful, then why hasn’t the “storytelling big bang” of social media coincided with “a big bang and harmony and empathy”? Well, it has, but that empathy is for in-groups at the expense of the whole.
Social media can feed us any narrative we want: that we are smart, or behind or, above all else, that we are aggrieved by someone. This isn’t because the social platform companies want this specific outcome exactly. Rather, it’s because algorithms feed us what we want to keep us engaged, which reinforces content creators to create more of that subject matter — all of which is what these platforms do want.
In this way, storytelling is “an essential poison” like oxygen, something we need to live but which when isolated or over-concentrated can kill us. In science, that’s called “the oxygen paradox” which inspired the title of a 2021 book called “The Story Paradox: How Our Love of Storytelling Builds Societies and Tears Them Down” by professor Jonathan Gottschall. Ahead of a conference keynote I gave on “the case for storytelling” for place-based marketers, I recently reread his 2012 book Storytelling Animal, which helped me find this one.
“Story is a mercenary that sells itself is eagerly to the bad guys as the good,” Gottschall writes. They are “influence machines” and so stories aren’t moral; they’re moralistic — they can be used for good and for bad.
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