I take something of pride in sometimes indulging in great cultural luxuries long after their novelty has waned.
With that knowledge, I’ll share my thoughts on finishing the complete five-season DVD set of celebrated HBO drama ‘the Wire‘ to encourage readers to watch it again, assuming you’ve seen the show at some point since it first aired in 2002.
It’s not difficult at all to piggyback that suggestion onto the concept of the state of media and the future of news.
David Simon, the creator and primary writer of the serial drama based on the inner-workings of drugs, policing and politicking in gritty post-industrial Baltimore, was himself, quite famously, a newspaper reporter for the Baltimore Sun, giving him a career of insight.
Notably, each of the five seasons take on a different focus of the Baltimore city structure — from the drug trade, to unions to policing to, yes, reporting. So in the past few weeks after finishing the final season, I’ve delved into writing, stories, concepts and conversations. Even if you know the show well, it might be worth seeing what’s out there and, yes, connect it to media.
Continue reading The Wire: yeah, the HBO Baltimore drama is mad decent