Category: On Media

My industry

Telling stories with authenticity and complexity: or why Unstoppable sucked

Action movies are supposed to be implausible.

The action is meant to be superhuman — more violent, more outrageous, more daring and impossible than the last. They are not, then, in my opinion, necessarily good stories.

They can be entertaining — with explosions, scene cuts and new sights — but I don’t look for an action movie to tell a compelling story.

Recently, I saw Unstoppable, the new Denzel Washington movie. The promotion around the movie certainly had an action element to it, but the trailer and Washington’s past roles triggered to me a belief there might be something a bit more provocative to the movie.

There wasn’t. I didn’t particularly like the film, though I suppose I didn’t hate it, but it did make me think about what makes good writing and, really, helps make good journalism and what Unstoppable didn’t have elements of either.

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Five interesting lessons from Jay-Z interview with Terry Gross

NPR Fresh Air host Terry Gross interviewed rapper and cultural icon Jay-Z last month and it proved one of the more interesting episodes of one of the best, longest-running radio shows around. Jay-Z was promoting his new book Decoded (about which Amazon has an interesting video interview).

You should go ahead and listen to the interview right now.

All the highlights are here, but you should look for these discussions in particular, all of which can be found in this transcript, in addition to another longer-form interview.

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Lessons on creating an effective nonprofit newsletter

Pull media, like social networks, are incredibly powerful, but the power of the push media of email hasn’t much waned.

Nonprofits, companies and organizations still rely on its ability to land in the inboxes of busy readers, consumers and supporters. Since announcing that I’m leaving Back on My Feet, I’ve taken a bit deeper a look at the metrics behind the monthly newsletter and blasts that remains a large part of our outreach efforts.

I was proud of some progress we worked to make with our use of email marketing during my tenure there, though I didn’t find the time to focus on as much development as I would have liked (by offering more robust A/B tests and such).

More importantly, there are a dozen take aways, some of which may seem intuitive, that I can now comfortably call lessons:

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Fund My Media J-Lab ONA pre-conference highlights

The J-Lab Institute for Interactive Journalism held a pre-conference called ‘Fund My Media’ before the launch of the Online News Association annual conference Thursday.

Building on last year’s pre-conference before the ONA national event in San Francisco, the morning of discussions, speakers and panels were decidedly focused on keeping online editorial products alive: from foundation support, to events to other for-profit revenue. The event preceded the ONA conference held today and tomorrow.

You can watch the archived livestream of the morning’s sessions here.

Full Disclosure: In conjunction with the J-Lab Networked Journalism Collaborative project and funded by the William Penn Foundation, the OMG Center for Collaborative Learning has generously sponsored and supported my attendance here.

Yesterday’s ‘Fund My Media’ morning series of sessions were inventive and practical. Jan Schaffer and crew put together a rich, insightful, varied and fast moving event. It was a pleasure.

I shared a slew of thoughts, which I think will be updated, but here are some first thoughts for those who weren’t as fortunate to attend, and perhaps even those who have:

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The Social Network: thoughts and reading on the Facebook movie

I tend to watch films in move theaters when I think they’ll have a particularly significant impact, will be worth remembering years from now and, of course, when I’m lured in by the story.

The Social Network, Aaron Sorkin’s film that tells with some literary license of the meteoric first-year rise of Facebook, fit the bill.

Last week, I saw and was greatly entertained — call it a 9 out of 10, not perfect but sure close and worth the price of admission.

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The Wire: yeah, the HBO Baltimore drama is mad decent

I take something of pride in sometimes indulging in great cultural luxuries long after their novelty has waned.

With that knowledge, I’ll share my thoughts on finishing the complete five-season DVD set of celebrated HBO drama ‘the Wire‘ to encourage readers to watch it again, assuming you’ve seen the show at some point since it first aired in 2002.

It’s not difficult at all to piggyback that suggestion onto the concept of the state of media and the future of news.

David Simon, the creator and primary writer of the serial drama based on the inner-workings of drugs, policing and politicking in gritty post-industrial Baltimore, was himself, quite famously, a newspaper reporter for the Baltimore Sun, giving him a career of insight.

Notably, each of the five seasons take on a different focus of the Baltimore city structure — from the drug trade, to unions to policing to, yes, reporting. So in the past few weeks after finishing the final season, I’ve delved into writing, stories, concepts and conversations. Even if you know the show well, it might be worth seeing what’s out there and, yes, connect it to media.

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Three most relevant, mentioned and impactful Philadelphia columnists write in a niche

Eighteen months ago, I was searching for the best metro columnist in Philadelphia.

I felt the Inquirer’s Dan Rubin was the nearest in a legacy of citywide voice boxes, telling the broadest and widest ranging stories. Perhaps that’s true.

But it’s been nagging me that outside of some media-focused friends — and even then — I never hear Rubin or his other traditional columnist colleagues with any sort of regularity.

Instead, the columnists whose names I read, hear mentioned and myself reference the most are increasingly niche orientated. They’re not writing about the city, they’re writing about and for a very narrowly focused part of it. These are other critics and writers who have long existed in newspaper parlance, but I believe the increasingly niche-dominated media ecosystem means their voices carry greater power than before.

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New York Times on the price of online journalism; broken pieces to return

Last month, The New York Times Magazine had a big piece on the price of online journalism… or at least content of some kind. I only dug into it this weekend.

It was a big piece riddled with stories of a handful of struggling entrepreneurs and a few buzz-y sites that haven’t prospered, but three paragraphs interested me most.

Let me share them below.

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Why mobile matters

Most usually, when I’m speaking on an issue related to media convergence or the future of news or other fun related topics, the subject of mobile technology comes up.

In poorer rural and urban communities where the first wave of household IT infrastructure passed by, the notion that smart phones and other Web-capable handheld devices — which are cheaper, more ubiquitous and often more socially and culturally prized than a home PC — just may transform the so-called digital divide is hot conversation.

But it’s worth revisiting the depths of why that is.

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