As these panels tend to go these days, really no new ground was covered, but it’s hard to argue with getting accomplished people in a room to talk about it.
A heavy reliance on foundation funding, a step into telecom, donation and membership programs and other methods that have been argued and re-argued all made brief appearances in last night’s 90-minute event held in a small civic space at the headquarters of WHYY.
Though the sentiment wasn’t hearkened on enough for perhaps the taste of those more obsessively engaged in the conversation, the wider perspective was brought to light.
“It’s really what all of us are doing,” said Sandra Shea, the editorial page editor of the Philadelphia Daily News.
“So forget about blogs and bloggers and blogging and focus on this – the cost and difficulty of publishing absolutely anything, by anyone, into a global medium, just got a whole lot lower. And the effects of that increased pool of potential producers is going to be vast.”
But Shirky’s assessment (which came in 2004, I should add) and other conversation about the cost of writing brings up a topic that continues to weigh on my mind.
A former girlfriend with a suddenly hyphenated name e-mailed me recently. Buried three paragraphs down, she alerted me to the fact that she was now happily and beautifully married. Not long before that, I’d received a text message from my first serious girlfriend, a girl who had once drawn hearts on my biology notebook, telling me she now had a child — this before I even knew she had a serious significant someone. [Source]
As always, I’ll share some extras that didn’t get in and some background after the jump.
It’s the seemingly unintentional, passive-aggressive jab that I sometimes get from older or otherwise more established journalists, writers and editors. Most often and in many ways, I’m sure the sentiment is pristine in its accuracy, often abutted by the never-to-be-defended-against “it takes time,” which, of course is always true.
But I can’t help but think what’s happened since, say, 2007 or even later, is something bigger that is changing the value of a lot of once rock solid professional advice for young and otherwise aspiring journalists, and making it awfully hard out there.
For people just starting their careers, the damage may be deep and long-lasting, potentially creating a kind of “lost generation.” Studies suggest that an extended period of youthful joblessness can significantly depress lifetime income as people get stuck in jobs that are beneath their capabilities, or come to be seen by employers as damaged goods.
It’s the latest stylish trend piece at a time when general stories on an economy that might not return for two or three years are already old hat. A lot of the numbers are fuzzy and the effect may be questionable, but there’s no questioning that it’s daunting for many 20-somethings.
We graduated and walked into perhaps the worst economy since before our grandparents were our age. A few more distinctions this author has taken on has made those statistics seem even more frightening, but outside of the occasional sobbing, I try to remind myself that there’s no better time or place in the world than where I am now.
I spoke to series producer Andrew Dunn and executive producer Dan Flaherty of A&E’s popular reality show “Parking Wars” for last Tuesday’s issue of Metro-Philadelphia.
The show, which has followed staff of the Philadelphia Parking Authority for two seasons, is back for a third, which will also include scenes from Detroit’s parking enforcement agency. Unfortunately, that piece only ran in print, not online, although the week before I had another story on the PPA that was put on the newspaper’s Web site.
Because of space limitations, my Q&A with those two producers was additionally slashed, leaving just a few questions with Dunn. Below, I share what Flaherty, the show’s co-executive producer, had to say.
Give both a look, comment, rate and spread the word. We won’t find out until November if we’re in the running and not until 2010 if we’d get any money. Still, a kid can dream, right?
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